Delta-vee presents classic Old Time Radio productions and modern audio drama, today’s episode: “The Dunwich Horror”. The works of H.P. Lovecraft have had a pervasive and lasting influence on modern horror writers, from his themes of forbidden knowledge and nihilism to his habit of founding mythology upon a secret history fabricated from whole cloth. Of his many works, the most well know are unarguably the Cthulhu Mythos, a loosely defined collection of secret history lore upon which Lovecraft built many of his stories, and which he encouraged his contemporaries to reference in their own works. “The Dunwich Horror” stands as perhaps the quintessential representative of the Cthulhu Mythos as a whole, containing as it does nearly every staple element of Lovecraft’s other fiction. His horror fiction is replete with monsters beyond the ken of man, secret cults devoted to the outer gods, and heroes whose credentials are more scholarly than physical. In one aspect only does “The Dunwich Horror” depart from traditional Lovecraftian storytelling: the heroes not only survive their adventure with body and minds whole, but emerge triumphant … after a fashion. Despite the not-completely-nihilistic ending, Lovecraft considered this story “so fiendish that [Weird Tales editor] Farnsworth Wright may not dare to print it.” Wright did not agree with this sentiment, and snapped up the story for $240 (about $2800 today), making this the single largest payment Lovecraft had yet received for his work (Lovecraft, Selected Letters Vol. II, p. 240; cited in Joshi, p. 101). “The Dunwich Horror” was first published in the April, 1929 issue of Weird Tales; this episode of Suspense first aired on November 1, 1945. And now, our feature presentation ….
Winston reviews "Zero Hour" by Stoney M. Setzer, and collection of spiritual suspense stories by ResAliens in paper and electronic formats.
When Scott Roche titles his new story “Fetch”, it’s a safe bet he’s not on about that cartoon dog that runs his own game show.
In Irish folklore, a “fetch” is a more or less benign spirit that appears as a portent either of impending death if seen in the evening, or of long life if seen in the morning. It takes the seeming, or appearance, of the soul that it portends, and is sent to escort the soul to the afterlife – whether divine or infernal. The fetch is a silent creature, it does not stalk nor terrify, and may be seen anywhere, under any circumstance. While popular in Irish folk lore, the fetch is seldom seen in other literature.
When a small boy in Iowa forwards a mysterious email from ‘God’ to a small group of friends, he unwittingly releases a trigger that sends blood pouring throughout his farming community. Thousands more are dead across the country in dozens of simultaneous terror attacks and the government blames fundamentalists who want to trigger the Apocalypse. FBI Agent Joe Unes reluctantly teams with reclusive Internet radio host Barney Ison (from Sharon K. Gilbert’s The Armageddon Strain) to expose the plot — and discovers that the enemy is not of flesh and blood.