Sally Slick and the Miniature Menace returns us to the world of Young Centurions and to the adventures of Sally Slick and Jet Black, first seen in Sally Slick and the Steel Syndicate. This time around we get right into the action as Sally fumes over being shut out of the local tractor races. With the circus in town, Sally decides to race “unofficially”; of course, Sally leaves everyone else in the dust. After showing up the local bullies and drawing the attention of the circus owner, Sally’s prized tractor goes missing!
Delta-vee presents classic Old-Time Radio productions and modern audio dramas, today’s episode: “The Most Dangerous Game”. Richard Connell’s famous short story, also published as “The Hounds of Zaroff”, describes the experiences of a big game hunter who is shipwrecked on an island. The master of the island is another big game hunter who has decided to hunt the most dangerous game of all – man. First published in the January 19, 1924 issue of Collier’s Weekly, this story has served as an inspiration and spiritual predecessor for countless other media interpretations, including modern bestsellers such as “The Hunger Games” and even been referenced in the popular Disney-Pixar film “Up”. Big game hunting and travelogues of safari adventures were popular during the 1920s and 30s, leading to a spate of fiction on the subject alongside many “real life” adventures. Connell’s story makes no attempts to justify or rationalize the activities of the antagonist General Zaroff, nor does the protagonist Rainsford waste any time attempting to debate the morality of Zaroff’s actions or mitigate the steps he takes in his own defense. In this way, the story parallels the jungle adventures that it emulates, where the only law is survival of the fittest and morality is a function of tooth and claw rather than reason or spirit. The story was adapted three times for radio under the incomparable baritone of Orson Welles; the first film adaptation by RKO pictures has been the only one to share the title of the story. This episode of Escape first aired on October 1, 1947 and is the only one to feature Welles in the role of Rainsford instead of Zaroff. And now our featured presentation….
Author Phil Elmore joins me in the reaction chamber to discuss the new novel from The League Entertainment, “Simon Vector”. We talk a bit about building the universe of Simon Vector and delve into a sneak peek at the background of this sci-fi space prison action novel. Elmore gives us a glance behind the curtain at what it’s like to develop a transmedia property and what it means to The League. We also discuss other project that Elmore has going on both with The League Entertainment and on his own. A mention is made of the megatrain anthology The Spirit of St. Louis, Elmore’s latest Mack Bolan adventures “Radical Edge” and “Final Judgement”. Since the interview, I’ve read through “Radical Edge”, and this is one of my favorite Phil Elmore adventures to date. Of course, no interview with Phil Elmore would be complete without a mention of the world’s manliest action hero, Duke Manfist. Since this is the season of the doomsday apocalypse, we close with some practical prepping advice from Elmore on personal survival and a pointer at some prepping resources readily available.
In 2001’s Action Comics #775 , writer Joe Kelly asked the question, “What’s so funny about Truth, Justice, and the American Way?” Kelly was responding in part to a trend in comic books that embraced heroes that took extreme actions towards their villains, often killing or permanently maiming their foes. The violent trend is one part reaction to the “revolving prison door” trope that allows series fiction to reuse villain characters, and one part the emergence into the field of a generation of creators that came of age in the 80s and 90s. Publishers Dark Horse and Image Comics built their entire businesses around providing consumers with content graphically depicting violence and brutality, and populated by heroes and villains that embraced the narcissistic nihilism of a generation raised with a dominantly post-modern viewpoint that insisted on deconstructing any kind of ethical or moral standard.
I’m in the reaction chamber with Phil Elmore, action-adventure author and editor of the upcoming anthology Spirit of St. Louis, a collection of flash fiction revolving around a post-apocalyptic future where incredible roaming megatrains have taken the place of cities. The setting visuals are described as “art-deco steampunk”, and each 1000 word flash fiction entry will be illustrated by a tarot card style painting by John “Johnny Atomic” Jackson. Elmore has issued a general call for entries into this particular project and the planned series that it preludes.
Curtis and I gather round the coffee table to kick around Thor. Not harshly, mind, but we do feel that it needs to be kicked a bit. I really wanted to like this movie in the same way that I like Iron Man or the Incredible Hulk. Unfortunately, the result was somewhat lackluster – with a story that just didn’t live up to the potential of its characters. Nevertheless, there is a great deal of good stuff going on in this movie, and we found it to be an acceptable offering, if not a particularly outstanding one.