Tag Archives: movies

Double Disney

maleficent-2014I’m joined in the reaction chamber by Petra and we take on a double dose of Disney films. Maleficent is the box office darling right now, but our reaction to the film is less than enthusiastic. By the same token we finally get around to watching The Lone Ranger with Johnny Depp and Armie Hammer – a film that was nearly universally panned. And we got really excited about it. The short version of the podcast is: skip Maleficent and go see The Lone Ranger.

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Only War

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“In the grim darkness of the far future, there is only war.”

Warhammer 40K brought the mythology of the wildly successful Warhammer Fantasy world into space, extending the mythos to embrace sci-fi tropes and aliens. The property started as a tabletop miniatures game, and has gone through many iterations through the years. When Fantasy Flight successfully licensed Warhammer 40K for a role playing game line in 2008, they sold out of their first print run in a matter of months. Along the way, the property has forayed into computer games, music, and fiction. Several attempts to animate a film have finally resulted in the video release of “Ultramarines”, the first official feature-length video project from Games Workshop.

The story follows Brother Proteus, newly armored soldier in the Ultramarines, one of the elite Space Marine warriors in service to the Emporer of Mankind. Answering a distress beacon from a brother Space Marine detachment, a squad of Ultramarines finds themselves in battle with the legions of Chaos. They march for Macragge, and they shall know no fear. Cue bolters and chainswords.

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Superman vs The Elite

In 2001’s Action Comics #775 , writer Joe Kelly asked the question, “What’s so funny about Truth, Justice, and the American Way?” Kelly was responding in part to a trend in comic books that embraced heroes that took extreme actions towards their villains, often killing or permanently maiming their foes. The violent trend is one part reaction to the “revolving prison door” trope that allows series fiction to reuse villain characters, and one part the emergence into the field of a generation of creators that came of age in the 80s and 90s. Publishers Dark Horse and Image Comics built their entire businesses around providing consumers with content graphically depicting violence and brutality, and populated by heroes and villains that embraced the narcissistic nihilism of a generation raised with a dominantly post-modern viewpoint that insisted on deconstructing any kind of ethical or moral standard.

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Battleship Down

The trailers for Battleship give everything away, if anything can be said to be secret about a movie based on Hasbro’s popular board game. There are naval vessels. There are aliens. They fight. Without any related IP baggage of any kind, Battleship had the freedom to make a great naval warfare movie; I’m even willing to give them the aliens just because the sci-fi geek in me screams at the thought of World War II class 16 inch guns firing 2000 pound shells at E.T. I’ve seen Midway, Victory at Sea, and In Harm’s Way. I knew what to expect from a movie about naval warfare. I expected carnage. I expected explosions. I expected fleets of ships in classic naval maneuvers that pushed through deep water and came home bloody but unbroken. I hoped for David Weber’s Honor Harrington on the ocean. As it is, this film barely made it out of the harbor, let alone onto the roll of honored dead.

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Dark Sun Apocalypse

Curtis and I continue our Doomsday Prepping, focusing this time on how to get ready for the advent of the Dark Sun, when a rogue asteroid spins our planet into a closer orbit, turning the world into a desert planet. Curtis got some new toys, and we do a bit about using the new Dwarven Forge miniature dungeon. The pieces are really spectacular, and there will be pictures posted into the blog later in the week. Other topics include updates on our plans to attend Fear the Con 5, Free Comic Book Day, and the premiere of The Avengers this weekend. Check out the artwork from Atomic Earth, and send us some feedback to mindspike@criticalpressmedia.com! Continue reading Dark Sun Apocalypse

The Odds Favor a Sequel

Suzanne Collins’ “The Hunger Games” debuted in US theaters this week, to much hype and the attendance of many teenagers. For both of you who may be unfamiliar with this violent work of chick-lit, in a dystopian future, The Capitol forces each of the 12 Districts in the nation to send a pair of teenagers to fight to the death in the annual Hunger Games. Think “A Clockwork Orange” meets “The Running Man” and you get the basic look and feel of the movie. The book series was aggressively advertised as a sci-fi action novel – which it most definitely is not. The movie suffers from the same poor marketing, as it is being portrayed as an action film when it is in fact a drama of the much more ordinary sort. Which isn’t to say it’s not a decent enough movie.

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With a Vengeance

Ghost Rider: Spirit of Vengeance roared into theaters this weekend, and I squeezed some time out to catch an early matinee. I’ve been a Ghost Rider fanboy since 1982, when Roger Stern shared the writing credits with J.M. DeMatteis. I read my older brother’s abandoned comic books under the covers with a flashlight, thrilling to the explosive action of a guy who rode a flaming motorcycle, and horrified at the tortures Johnny Blaze underwent in his quest for redemption. Those stories were equal parts morality play and schlock horror, and I loved every minute of it. Many years later, Chuck Dixon and Mark Texeira brought more adult sensibilities to the story, along with a new origin, purpose, and powers for the Ghost Rider. At the same time, Marvel reprinted the final issues of the 1973 run – the very issues that had hooked me on the character – and I came to appreciate the storytelling on an entirely different level. Although the Ghost Rider has appeared in a few cartoons, he’s never had a major motion picture, and I anticipated eagerly the release of the 2007 picture. Five years later, I’m still excited to see another theater release, and I’m hoping for a better  treatment of the character.

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Asgardian Box Office

Curtis and I gather round the coffee table to kick around Thor. Not harshly, mind, but we do feel that it needs to be kicked a bit. I really wanted to like this movie in the same way that I like Iron Man or the Incredible Hulk. Unfortunately, the result was somewhat lackluster – with a story that just didn’t live up to the potential of its characters. Nevertheless, there is a great deal of good stuff going on in this movie, and we found it to be an acceptable offering, if not a particularly outstanding one.

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Corporate Oppressors

Released now, calculated to bring as little benefit or press to the film as possible, Curtis and I break down as much of “Avatar” as we can stomach. We lay the entirety of the blame at James Cameron’s doorstep – he really ought to know better. We do some side trails into the fad that is the current generation of 3D movies, “Prince of Persia” – which we both really enjoyed, in spite of my frustrated rant about the ending, and then plug upcoming RPG projects here at Critical Press Media. Hey, it’s worth repeating: look for OpenD6: Agents to hit digital download and POD before the end of the summer!

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Censorship and Ratings

Gather round the coffee table while Curtis and I discuss our reactions to the documentary “This Film is Not Yet Rated”. Topics of the show include censorship, the ratings system, the rights of artistes, and what makes a film age or content appropriate. Just because something reflects real behavior does not make it art.

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